David Geringas
The edition is part of the ABRSM syllabus (grade 5).
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Following the enthusiastic reception of his first Violin Sonata (HN 980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that...
Following the enthusiastic reception of his first Violin Sonata (HN 980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that...
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De las cinco sonatas para violonchelo de Beethoven, la Grande Sonate op. 69, publicada en 1809, no sólo es la pieza central, sino también la más significativa musicalmente. El ingenioso acoplamiento d...
De las cinco sonatas para violonchelo de Beethoven, la Grande Sonate op. 69, publicada en 1809, no sólo es la pieza central, sino también la más significativa musicalmente. El ingenioso acoplamiento d...
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At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cell...
At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cell...
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Las dos Sonatas op. 5 fueron escritas en 1796 expresamente para la actuación del joven Beethoven con el virtuoso violonchelista Jean Louis Duport en la corte de Berlín. Que no se viera eclipsado por e...
Las dos Sonatas op. 5 fueron escritas en 1796 expresamente para la actuación del joven Beethoven con el virtuoso violonchelista Jean Louis Duport en la corte de Berlín. Que no se viera eclipsado por e...
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Ludwig van Beethoven
Variations für Piano and Violoncello
with marked and unmarked violoncello parts
Variations on a well-liked theme, mainly from contemporary operas, were extremely popular at the end of the 18th century. Even the young Beethoven made several contributions to this genre. We do not k...
Variations on a well-liked theme, mainly from contemporary operas, were extremely popular at the end of the 18th century. Even the young Beethoven made several contributions to this genre. We do not k...
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This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré's middle creative period and was first published simultaneously in France and England in 1898, reflect...
This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré's middle creative period and was first published simultaneously in France and England in 1898, reflect...
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Camille Saint-Saëns
Sonata no. 1 in c minor Op. 32 for Violoncello and Piano
At the beginning of the 1870s, Saint-Saëns showed a particular fondness for the violoncello. He completed his first cello sonata in December 1872, immediately after finishing his first cello concerto...
At the beginning of the 1870s, Saint-Saëns showed a particular fondness for the violoncello. He completed his first cello sonata in December 1872, immediately after finishing his first cello concerto...
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Robert Schumann
5 Pieces in Folk Style op. 102
for cello and Piano (with marked and unmarked violoncello parts)
Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
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