Jörg Widmann
My 2nd string quartet is one single slow movement. The piece does not directly reflect Joseph Haydn's Seven Last Words but I would not have been able to write it without knowing that work. The movemen...
My 2nd string quartet is one single slow movement. The piece does not directly reflect Joseph Haydn's Seven Last Words but I would not have been able to write it without knowing that work. The movemen...
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The Jagdquartett (Hunt Quartet), which Jörg Widmann wrote as his third string quartet in 2003, following the Choralquartett, also begins with a visible gesture. After a short signal cry from the perfo...
The Jagdquartett (Hunt Quartet), which Jörg Widmann wrote as his third string quartet in 2003, following the Choralquartett, also begins with a visible gesture. After a short signal cry from the perfo...
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This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken...
This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken...
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The horn piece 'Air' requires a highly virtuosic technique, as indeed it should since it was composed in 2005 as the compulsory piece for the 54th International Music Competition of the ARD. At the sa...
The horn piece 'Air' requires a highly virtuosic technique, as indeed it should since it was composed in 2005 as the compulsory piece for the 54th International Music Competition of the ARD. At the sa...
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The sense of longing, characteristic of every elegy, is really made for the tonal world of the clarinet. In this attractive concert piece, however, it is 'loaded with barbed hooks', as the composer on...
The sense of longing, characteristic of every elegy, is really made for the tonal world of the clarinet. In this attractive concert piece, however, it is 'loaded with barbed hooks', as the composer on...
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Jörg Widmann treats the violon at first as a vocal instrument, just in the tradition of the great violin concertos of the 19th century through to Alban Berg. But from the cantabile lines, often writte...
Jörg Widmann treats the violon at first as a vocal instrument, just in the tradition of the great violin concertos of the 19th century through to Alban Berg. But from the cantabile lines, often writte...
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I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderat...
I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderat...
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Over the years, I have periodically composed a number of (unpublished) lieder, but have only now created my first 'official' lieder cycle for Christian Gerhaher and his accompanist Gerold Huber. Unfam...
Over the years, I have periodically composed a number of (unpublished) lieder, but have only now created my first 'official' lieder cycle for Christian Gerhaher and his accompanist Gerold Huber. Unfam...
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Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisc...
Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisc...
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Jörg Widmann
Oboe Concerto
Although I never had any 'official' lessons with him, Heinz Holliger has become and will always remain a lifelong teacher to me. And we have developed a friendship that started 10 years ago, in Davos,...
Although I never had any 'official' lessons with him, Heinz Holliger has become and will always remain a lifelong teacher to me. And we have developed a friendship that started 10 years ago, in Davos,...
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