Kerry Andrew
Setting the modernized words of an Anglo-Saxon metrical charm, this thrilling piece is unusual, dramatic, and beguiling. Featuring a whispered list of potion ingredients for the intro and outro, it al...
Setting the modernized words of an Anglo-Saxon metrical charm, this thrilling piece is unusual, dramatic, and beguiling. Featuring a whispered list of potion ingredients for the intro and outro, it al...
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- disponible en 3-4 semanas
From the collection As you sing, 'Charm' is a secular concert work by Kerry Andrew which combines folk-influenced motifs with a distinct rhythmic style and some semi-improvised elements (composer's no...
From the collection As you sing, 'Charm' is a secular concert work by Kerry Andrew which combines folk-influenced motifs with a distinct rhythmic style and some semi-improvised elements (composer's no...
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Kerry Andrew
Lullaby For The Witching Hour
Kerry Andrew 's Lullaby For The Witching Hour for three voices (SSA). Duration: 4 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. This piece was written...
Kerry Andrew 's Lullaby For The Witching Hour for three voices (SSA). Duration: 4 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. This piece was written...
- disponible en 3-4 semanas
Kerry Andrew
Luna-cy
Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. A cuckoo called: I looked towards the sound,...
Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. A cuckoo called: I looked towards the sound,...
- disponible en 3-4 semanas
This shimmering choral work from Kerry Andrew is an imaginative setting of an ancient Aramaic text; 'Maranatha' meaning 'our Lord come' or 'Our Lord has come' . This text would probably have been used...
This shimmering choral work from Kerry Andrew is an imaginative setting of an ancient Aramaic text; 'Maranatha' meaning 'our Lord come' or 'Our Lord has come' . This text would probably have been used...
- disponible en 3-6 días laborables
Combining a number of early lullaby texts in one setting, Adam and the Mother is a haunting carol recalling the fall of Adam. It combines irregular melodic lines with lilting ostinato passages and wil...
Combining a number of early lullaby texts in one setting, Adam and the Mother is a haunting carol recalling the fall of Adam. It combines irregular melodic lines with lilting ostinato passages and wil...
- disponible en 3-4 semanas
This is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds. The listener is taken on a captivating journey through the natural world, via 'tongues of thunders', the...
This is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds. The listener is taken on a captivating journey through the natural world, via 'tongues of thunders', the...
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- disponible en 3-4 semanas
Originally published in The Ivy and the Holly, Andrew's polymetric setting of this traditional text is evocative and energetic, with sustained vocalizations and creative melodies that bounce around th...
Originally published in The Ivy and the Holly, Andrew's polymetric setting of this traditional text is evocative and energetic, with sustained vocalizations and creative melodies that bounce around th...
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The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...
The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...
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This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.
This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.
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