Martin Müller-Runte
Charles Jean-Baptiste Dancla
36 Melodious and Easy Studies Op. 84
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle 'no music without technique, no tech...
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle 'no music without technique, no tech...
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Charles Jean-Baptiste Dancla
36 Melodious and Easy Studies Op. 84
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle 'no music without technique, no tech...
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle 'no music without technique, no tech...
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Friedrich August Kummer
92 progressive Exercises Op. 60 Vol. 1 (Nos. 1-57)
Accompaniment by a second Violoncello
The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, clev...
The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, clev...
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The 6 Caprices by the famous 19th-century teacher and virtuoso are aimed at advanced pupils and students. They are intended to focus on improving technique and virtuosity. The accompaniment of a secon...
The 6 Caprices by the famous 19th-century teacher and virtuoso are aimed at advanced pupils and students. They are intended to focus on improving technique and virtuosity. The accompaniment of a secon...
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Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violoncello in the preparatory school of Dr. Hoch's Conservatoire in Frankfurt. During this time, he wrote numerous works for vi...
Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violoncello in the preparatory school of Dr. Hoch's Conservatoire in Frankfurt. During this time, he wrote numerous works for vi...
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Friedrich August Kummer
92 Progressives Exercises Op. 60 Vol. 2 (Nr. 58-92)
With Accompaniment of a Second Violoncello
Die Etüden von Friedrich August Kummer eignen sich bestens für den Unterricht, insbesondere wegen der Begleitung durch ein 2. Cello. Sie zeichnen sich durch eine sehr systematische Gliederung aus, füh...
Die Etüden von Friedrich August Kummer eignen sich bestens für den Unterricht, insbesondere wegen der Begleitung durch ein 2. Cello. Sie zeichnen sich durch eine sehr systematische Gliederung aus, füh...
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This three-movement performance piece is characterized by an elegant classical melody and rewarding technical passages. A challenging piece for lessons and auditions at intermediate level, using the f...
This three-movement performance piece is characterized by an elegant classical melody and rewarding technical passages. A challenging piece for lessons and auditions at intermediate level, using the f...
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Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violoncello in the preparatory school of Dr. Hoch's Conservatoire in Frankfurt. During this time, he wrote numerous works for vi...
Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violoncello in the preparatory school of Dr. Hoch's Conservatoire in Frankfurt. During this time, he wrote numerous works for vi...
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Charles Jean-Baptiste Dancla
36 Melodious and Easy Studies Op. 84
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle 'no music without technique, no tech...
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle 'no music without technique, no tech...
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Bernhard Cossmann
Cello Studies
for the suppleness and stamina of the fingers and the purity of intonation
The Violoncello Studies by Bernhard Cossmann (1822-1910) provide specific exercises for the development of the left hand such as double stop trill studies, finger dexterity exercises, chord, scale and...
The Violoncello Studies by Bernhard Cossmann (1822-1910) provide specific exercises for the development of the left hand such as double stop trill studies, finger dexterity exercises, chord, scale and...
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