René Staar
René Staar
Einst in kalter Wintersnacht op. 22/o.bis
The poem [Once upon Epiph'ny Eve] by Pushkins contemporary Vasily Andreyevich Zhukovsky (1783-1852) refers to the post-Christmas custom of young girls wishing to interpret their future from various s...
The poem [Once upon Epiph'ny Eve] by Pushkins contemporary Vasily Andreyevich Zhukovsky (1783-1852) refers to the post-Christmas custom of young girls wishing to interpret their future from various s...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
René Staar
Einst in kalter Wintersnacht op. 22/o.bis
The poem [Once upon Epiph'ny Eve] by Pushkins contemporary Vasily Andreyevich Zhukovsky (1783-1852) refers to the post-Christmas custom of young girls wishing to interpret their future from various s...
The poem [Once upon Epiph'ny Eve] by Pushkins contemporary Vasily Andreyevich Zhukovsky (1783-1852) refers to the post-Christmas custom of young girls wishing to interpret their future from various s...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
The Duo A4 for violin and clarinet (written for the Vienna Philharmonics principal clarinettist, Ernst Ottensamer) is the shortest of the Gemini series to date with a duration of just over one minute...
The Duo A4 for violin and clarinet (written for the Vienna Philharmonics principal clarinettist, Ernst Ottensamer) is the shortest of the Gemini series to date with a duration of just over one minute...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
A reversal of usual clichés reveals an innovative facet of the treatment of the piccolo in the Gemini Duo written for the exceptional philharmonic piccolo player Günter Federsel. The piccolo is depriv...
A reversal of usual clichés reveals an innovative facet of the treatment of the piccolo in the Gemini Duo written for the exceptional philharmonic piccolo player Günter Federsel. The piccolo is depriv...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
In his Duo A6 for violin and trombone the composer seems to revert once more to the march-like character of Duo A4. This character, however, is now intensified into something grotesque and absurd thro...
In his Duo A6 for violin and trombone the composer seems to revert once more to the march-like character of Duo A4. This character, however, is now intensified into something grotesque and absurd thro...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
The Duo A7 for violin and tenor saxophone thrives on the tension between two-part and tripartite divisions of different units. Relations and time units are used purposefully together with tension and...
The Duo A7 for violin and tenor saxophone thrives on the tension between two-part and tripartite divisions of different units. Relations and time units are used purposefully together with tension and...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
In the Duo A8 for violin and accordion, written for the accordionist (and professor at Linz Bruckner University) Alfred Melichar, the flowing interweaving of the violin's timbre with that of the accor...
In the Duo A8 for violin and accordion, written for the accordionist (and professor at Linz Bruckner University) Alfred Melichar, the flowing interweaving of the violin's timbre with that of the accor...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
The Duo A10 for violin and trumpet attempts to develop an idea in two different ways. The form is determined by a phrase consisting of two halvesone of formulation, and one of developmentwhich occur...
The Duo A10 for violin and trumpet attempts to develop an idea in two different ways. The form is determined by a phrase consisting of two halvesone of formulation, and one of developmentwhich occur...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
xWritten for Vienna Philharmonic tuba player Ronald Pisarkiewicz, Duo A11 for violin and tuba is a parody of baroque-classical stereotypes of musical form. The bass tuba is used as a quasi-pedal point...
xWritten for Vienna Philharmonic tuba player Ronald Pisarkiewicz, Duo A11 for violin and tuba is a parody of baroque-classical stereotypes of musical form. The bass tuba is used as a quasi-pedal point...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
In the Duo A12 for violin and oboe a musical process is initiated which, beginning with the unison fusion of the two timbres, leads into a sonic and articulatory spectrum of oboe staccatos and violin...
In the Duo A12 for violin and oboe a musical process is initiated which, beginning with the unison fusion of the two timbres, leads into a sonic and articulatory spectrum of oboe staccatos and violin...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables