Ulrich Drüner
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The Stamitz duos here often form the introduction to this 'sonorous' instrumentation form, a genre that Amadeus cultivates with much commitment to completeness.
The Stamitz duos here often form the introduction to this 'sonorous' instrumentation form, a genre that Amadeus cultivates with much commitment to completeness.
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Second book
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Henri Vieuxtemps
Capriccio op. posth.
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
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Albrechtsberger's preference for contrapuntal work is also evident in this duo. The piece lives entirely from the imitative development of the motives.
Albrechtsberger's preference for contrapuntal work is also evident in this duo. The piece lives entirely from the imitative development of the motives.
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Duets strongly reminiscent of Beethoven, full of grace and buoyancy, with balanced partnership interplay. Also suitable for concerts.
Duets strongly reminiscent of Beethoven, full of grace and buoyancy, with balanced partnership interplay. Also suitable for concerts.
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Georg Abraham Schneider
Duo in D major op. 15
The works of Schneider, who worked in the Royal Chapel in Berlin, reveal a preference for the soloistic use of the viola, which he knew how to employ in four tuplets.
The works of Schneider, who worked in the Royal Chapel in Berlin, reveal a preference for the soloistic use of the viola, which he knew how to employ in four tuplets.
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The Sonata of 1789 was composed as a compulsory piece for a viola audition of the Royal Chapel in Madrid. Even today it can serve this task brilliantly.
The Sonata of 1789 was composed as a compulsory piece for a viola audition of the Royal Chapel in Madrid. Even today it can serve this task brilliantly.
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