Celtic - Play Along Clarinet
8 leichte bis mittelschwere Play-Alongs bekannter Stücke aus Irland, Schottland, Wales, dem Cornwall und der Bretagne
IVA incluido.,
Más gastos de envío
en stock
plazo de entrega 1-3 días laborables
Celtic - Play Along Clarinet
8 leichte bis mittelschwere Play-Alongs bekannter Stücke aus Irland, Schottland, Wales, dem Cornwall und der Bretagne
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Celtic - Play Along Clarinet
8 leichte bis mittelschwere Play-Alongs bekannter Stücke aus Irland, Schottland, Wales, dem Cornwall und der Bretagne
- Adaptador Martin Tourish
-
Dificultad
- Editorial Universal Edition
- Nº de pedido UE37212
en stock
plazo de entrega 1-3 días laborables
IVA incluido.,
Más gastos de envío
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Descripción de la:
Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments.
'World Music - Celtic' presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music in often 'skeletal', hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice.
The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes.
'World Music - Celtic' presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music in often 'skeletal', hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice.
The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes.