Concert Pieces op. 113 and 114
for Clarinet, Basset Horn (2 Clarinets) and Piano
IVA incluido.,
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plazo de entrega 1-3 días laborables
Felix Mendelssohn Bartholdy
Concert Pieces op. 113 and 114
for Clarinet, Basset Horn (2 Clarinets) and Piano
Felix Mendelssohn Bartholdy
Concert Pieces op. 113 and 114
for Clarinet, Basset Horn (2 Clarinets) and Piano
- Compositor Felix Mendelssohn Bartholdy
- Adaptador Klaus Schilde
- Editor Frank Heidlberger
- Editorial Henle Verlag
- Nº de pedido HN1067
en stock
plazo de entrega 1-3 días laborables
IVA incluido.,
Más gastos de envío
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Descripción de la:
> With additional, alternative clarinet part for the basset horn part
> Fingering: Klaus Schilde
'Favourite dish in exchange for favourite music' - this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the basset horn, stopped to pay a visit to Felix Mendelssohn Bartholdy in 1832, they came to a most curious agreement: they promised their composer friend a generous portion of 'Dampfnudeln' (steamed dumplings) and 'Rahmstrudel' (sweet-cheese strudel) that Mendelssohn was mad about, if he were to write a piece for them which they could use on their concert tours.
The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the clarinet family.
> Fingering: Klaus Schilde
'Favourite dish in exchange for favourite music' - this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the basset horn, stopped to pay a visit to Felix Mendelssohn Bartholdy in 1832, they came to a most curious agreement: they promised their composer friend a generous portion of 'Dampfnudeln' (steamed dumplings) and 'Rahmstrudel' (sweet-cheese strudel) that Mendelssohn was mad about, if he were to write a piece for them which they could use on their concert tours.
The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the clarinet family.