Bassoon Concerto F Major Op. 75
Ausgabe für Fagott und Klavier (Klavierauszug)
IVA incluido.,
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plazo de entrega 1-3 días laborables
Carl Maria von Weber
Bassoon Concerto F Major Op. 75
Ausgabe für Fagott und Klavier (Klavierauszug)
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Carl Maria von Weber
Bassoon Concerto F Major Op. 75
Ausgabe für Fagott und Klavier (Klavierauszug)
- Compositor Carl Maria von Weber
- Editor Ulrich Haverkampf
- Editorial Breitkopf & Härtel
- Nº de pedido EB6708
en stock
plazo de entrega 1-3 días laborables
IVA incluido.,
Más gastos de envío
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Descripción de la:
Along with Mozart’s B-flat major Concerto K. 191 (186e), Weber’s bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument.
Carl Maria von Weber wrote the present concerto in 1811 for the Munich bassoon player Georg Friedrich Brandt. The date of the world premiere is not known; what is ascertained, however, is a performance in Prague on 19 February 1813 by Brandt, to whom the work was dedicated.
Along with Mozarts B-flat major Concerto K. 191 (186e), Webers bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Weber illustrates the instruments qualities by using a different form in each movement, as we can see in its primary themes: the opening movement is dominated by a rhythmically striking theme; cantabile passages set the tone for the more lightly scored Adagio; and in the closing Rondo. Allegro, the soloist can demonstrate his virtuosity from the very beginning through large intervallic leaps and rapid runs.
Carl Maria von Weber wrote the present concerto in 1811 for the Munich bassoon player Georg Friedrich Brandt. The date of the world premiere is not known; what is ascertained, however, is a performance in Prague on 19 February 1813 by Brandt, to whom the work was dedicated.
Along with Mozarts B-flat major Concerto K. 191 (186e), Webers bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Weber illustrates the instruments qualities by using a different form in each movement, as we can see in its primary themes: the opening movement is dominated by a rhythmically striking theme; cantabile passages set the tone for the more lightly scored Adagio; and in the closing Rondo. Allegro, the soloist can demonstrate his virtuosity from the very beginning through large intervallic leaps and rapid runs.
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