Sinfonie in Es-Dur GWV 559
für 2 Hörner, 4 Pauken, Streicher und Basso continuo (Stimmen)
IVA incluido.,
Más gastos de envío
disponible en 3-4 semanas
Christoph Graupner
Sinfonie in Es-Dur GWV 559
für 2 Hörner, 4 Pauken, Streicher und Basso continuo (Stimmen)
Ver
PDF
Christoph Graupner
Sinfonie in Es-Dur GWV 559
für 2 Hörner, 4 Pauken, Streicher und Basso continuo (Stimmen)
- Compositor Christoph Graupner
- Adaptador Ursula Kramer Florian Heyerick
-
Dificultad
- Editorial Christoph Graupner Gesellschaft
- Nº de pedido GRM-CB-GE-559-02
disponible en 3-4 semanas
IVA incluido.,
Más gastos de envío
No disponible en todos los países. Leer más
Descripción de la:
Parts , Stimmen of Symphony in E flat major GWV 559 for 2 Horns, 4 Timpani, Strings and Basso continuo
The Sinfonia GWV 559 features five movements that do not correspond to 18th-century dance movement designs. Thus, it falls somewhere in between the overture suite structure and the emerging early classical Symphony and its more abstract types of movements (the Minuet being the exception). Two lively, if not tempestuous movements, a Vivace and a Presto, frame the work, specifically the inner movements two and four. Each features a slower tempo and a more personalized and delicate compositional style. The bass part is given a greater role in the second movement; it carries the melody at times and occasionally even enters a dialogue with the first violins. The fourth movement stands out in terms of its unusual instrumental techniques: The three lower parts of this movement for strings only pluck their notes (“pizzicato”), while the melody in the first violin part is performed with a mute (“con sordino”). The fifth and longest movement of the Sinfonia with its tripartite, da capo structure marks the center of the entire piece like a block.
The Sinfonia GWV 559 features five movements that do not correspond to 18th-century dance movement designs. Thus, it falls somewhere in between the overture suite structure and the emerging early classical Symphony and its more abstract types of movements (the Minuet being the exception). Two lively, if not tempestuous movements, a Vivace and a Presto, frame the work, specifically the inner movements two and four. Each features a slower tempo and a more personalized and delicate compositional style. The bass part is given a greater role in the second movement; it carries the melody at times and occasionally even enters a dialogue with the first violins. The fourth movement stands out in terms of its unusual instrumental techniques: The three lower parts of this movement for strings only pluck their notes (“pizzicato”), while the melody in the first violin part is performed with a mute (“con sordino”). The fifth and longest movement of the Sinfonia with its tripartite, da capo structure marks the center of the entire piece like a block.
Los clientes han valorado este artículo:
Artículos relacionados:
Christoph Graupner
Sinfonie in Es-Dur GWV 559
für 2 Hörner, 4 Pauken, Streicher und Basso continuo (Stimmen)
-
-
disponible en 3-4 semanas
Christoph Graupner
Sinfonie in Es-Dur GWV 559
für 2 Hörner, 4 Pauken, Streicher und Basso continuo (Partitur)
-
-
disponible en 3-4 semanas