Anitras Tanz - In der Halle des Bergkönigs
IVA incluido.,
Más gastos de envío
disponible en 3-6 días laborables
Edvard Grieg
Anitras Tanz - In der Halle des Bergkönigs
Edvard Grieg
Anitras Tanz - In der Halle des Bergkönigs
- Compositor Edvard Grieg
- Adaptador Alfred Pfortner
- Editorial Siebenhüner Musikverlag
- Nº de pedido SIEB27020
disponible en 3-6 días laborables
IVA incluido.,
Más gastos de envío
No disponible en todos los países. Leer más
Descripción de la:
Notes about the Editions for School and Amateur Orchestra:
> Most of the pieces have been shortened and adapted to suit young orchestras.
> Full score supplied to most arrangements.
> All parts are provided with bar numbers to make rehearsals easier.
> Metronome suggestions are merely guidelines.
> All pieces are also playable in smaller groups. (such as violin and piano').
> If French horns and violas are available the pieces do not need a piano accompaniment.
> String Parts are shown with bowings and partially with fingerrings.
> The parts for 1st Violin extend as far as the third position. Only in a few individual cases they range as far as 5th position and in such cases these notes are always given in the lower octave, too
> The 2nd Violin parts usually remain in the 1st Position. Whenever they go up to the 3rd position the notes arealso provided in the lover octacve.
> The parts for Cello which were usually in the tenor clef, have been written in bass clef.
> For woodwind and brass parts special attention has been paid to using a range suitable for students and amateurs.
> The parts for A-Clarinets are often easier and more pleasant to play in many pieces. However parts for Bb-Clarinets are included for each piece.
> For Bassoon and Trombones original tenor or alto clef parts have been transposed to bass clef.
> Piano parts can be played by the Teacher or an advanced Student.
> Most of the pieces have been shortened and adapted to suit young orchestras.
> Full score supplied to most arrangements.
> All parts are provided with bar numbers to make rehearsals easier.
> Metronome suggestions are merely guidelines.
> All pieces are also playable in smaller groups. (such as violin and piano').
> If French horns and violas are available the pieces do not need a piano accompaniment.
> String Parts are shown with bowings and partially with fingerrings.
> The parts for 1st Violin extend as far as the third position. Only in a few individual cases they range as far as 5th position and in such cases these notes are always given in the lower octave, too
> The 2nd Violin parts usually remain in the 1st Position. Whenever they go up to the 3rd position the notes arealso provided in the lover octacve.
> The parts for Cello which were usually in the tenor clef, have been written in bass clef.
> For woodwind and brass parts special attention has been paid to using a range suitable for students and amateurs.
> The parts for A-Clarinets are often easier and more pleasant to play in many pieces. However parts for Bb-Clarinets are included for each piece.
> For Bassoon and Trombones original tenor or alto clef parts have been transposed to bass clef.
> Piano parts can be played by the Teacher or an advanced Student.