Partituras de Benjamin Schweitzer para conjunto
Der Mythos um die Nymphe Dafne war im 17. Jahrhundert der erste Opernstoff der Musikgeschichte. Der junge Komponist Benjamin Schweitzer hat ihn 2005 nach dem Libretto des Barockdichters Martin Opitz n...
Der Mythos um die Nymphe Dafne war im 17. Jahrhundert der erste Opernstoff der Musikgeschichte. Der junge Komponist Benjamin Schweitzer hat ihn 2005 nach dem Libretto des Barockdichters Martin Opitz n...
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The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this tech...
The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this tech...
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Benjamin Schweitzer
entschlackt (Piece in Two Parts)
Oboe, Trompete (in B und C), Violoncello und Klavier
entschlackt [Piece in Two Parts] resulted from an attempt to write music that is clear, precise and concentrated without being superficially 'simple'. The 'purged' or 'cleansed' character of the piece...
entschlackt [Piece in Two Parts] resulted from an attempt to write music that is clear, precise and concentrated without being superficially 'simple'. The 'purged' or 'cleansed' character of the piece...
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Benjamin Schweitzer
Sumpfgesang
Flöte (auch Bassflöte), Bariton-Saxophon (oder Bassklarinette) und Streichtrio
One of the most bodacious episodes in the Kalevala, the Finnish national epic tells how Joukahainen challenges the old, wise singer Vainamoinen to a competition, during which Vainamoinen sings him up...
One of the most bodacious episodes in the Kalevala, the Finnish national epic tells how Joukahainen challenges the old, wise singer Vainamoinen to a competition, during which Vainamoinen sings him up...
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An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin's late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This 'rive...
An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin's late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This 'rive...
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Benjamin Schweitzer
Landscape With Deserted House
for bassflute, bass clarinet, harp, piano and percussion
'Landscape With Deserted House' is a piece of a dark and very individual character, almost a 'gothic piece'. The topos of the deserted house comes from the literature of Victorian England, but also po...
'Landscape With Deserted House' is a piece of a dark and very individual character, almost a 'gothic piece'. The topos of the deserted house comes from the literature of Victorian England, but also po...
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The cycle of 27 lithographs on the Apocalypse of St. John created by Max Beckmann in his Dutch exile in 1941 inspired Benjamin Schweitzer to compose 27 musical 'sheets' as well. 'The pictures are fill...
The cycle of 27 lithographs on the Apocalypse of St. John created by Max Beckmann in his Dutch exile in 1941 inspired Benjamin Schweitzer to compose 27 musical 'sheets' as well. 'The pictures are fill...
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Benjamin Schweitzer
Für Fagott, Violoncell und Pianoforte
Nausea (lat., seasickness, disgust) - Nenia (greek/lat., folksong, elegy, magical song): Two similar sounding terms, which offer, based on their ambiguity, lots of space to musical connotations. These...
Nausea (lat., seasickness, disgust) - Nenia (greek/lat., folksong, elegy, magical song): Two similar sounding terms, which offer, based on their ambiguity, lots of space to musical connotations. These...
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Benjamin Schweitzer
Vergehn wie Rauch
Mixed choir (SSAATTBB) and optional brass quartet based on texts by German Baroque poets
The acerbic and bizarre opulence of Baroque lyrical poetry sets the tone for vergehn wie Rauch (vanish like smoke). The interlinked themes running through the poems, expressed with similar linguistic...
The acerbic and bizarre opulence of Baroque lyrical poetry sets the tone for vergehn wie Rauch (vanish like smoke). The interlinked themes running through the poems, expressed with similar linguistic...
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Benjamin Schweitzer
Vergehn wie Rauch
Mixed choir (SSAATTBB) and optional brass quartet based on texts by German Baroque poets
Solostimmensatz - gemischter Chor (SSAATTBB), Trompete in B, Horn in F, Posaune und Tuba
Solostimmensatz - gemischter Chor (SSAATTBB), Trompete in B, Horn in F, Posaune und Tuba
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