Partituras de Robin Wedderburn para orquesta de cuerda

Orchestration Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello) The melody (in the first violin to begin with) should sing expressively; practise and shape this on its own. The...

Orchestration Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello) ON THE MOVE . . . probably out of doors, on foot, with an objective and with joy in the going. Make sure that we...

Orchestration Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello) ONWARD AND UPWARD Not said, we hope, with a cheesy grin in mild adversity on a wet Monday morning (inviting a sc...

Orchestration Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello) Although the Passacaglia was originally a dance, composers have for centuries taken the style and form of this d...

Orchestration Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello) Not for ever in green pastures Do we ask our way to be; But the steep and rugged pathway May we tread rejoicing...

Orchestration Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello) This should be aggressive, but not brutal. Try to phrase musically and to catch a moment of something more sympa...

Orchestration Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello) INTRADA: Some kind of rather grand entry-procession is the idea here. Two minim beats to a bar should be felt (a...

Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): The melody (in the first violin to begin with) should sing expressively; practise and shape this on its own. T...