Complete Organ Works, Vol. 4: Symphony No. 4 op. 32
4. Symphonie op. 32
IVA incluido.,
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disponible en 2-4 días laborables
Louis Vierne
Complete Organ Works, Vol. 4: Symphony No. 4 op. 32
4. Symphonie op. 32
Louis Vierne
Complete Organ Works, Vol. 4: Symphony No. 4 op. 32
4. Symphonie op. 32
- Compositor Louis Vierne
- Editor Helga Schauerte-Maubouet
-
Dificultad
- Editorial Bärenreiter Verlag
- Nº de pedido BA9224
disponible en 2-4 días laborables
IVA incluido.,
Más gastos de envío
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Descripción de la:
> Detailed trilingual preface (Fr/Eng/Ger) with a full account of the
> work's genesis and notes on performance practice
> Comprehensive Critical Commentary (Fr/Eng/Ger)
> New source material
> Many illustrations and facsimile pages
Louis Vierne (1870-1937) raised the organ symphony to its stylistic zenith. One of his pupils, Marcel Dupré, was the teacher of Thierry Escaich, the co-editor of this complete edition.
Vierne's Symphony No. 4 is one of the most important works in the organ repertoire. Until now it was thought to have originated during the three months of summer 1914.
However, the editor has discovered a letter from Vierne, dated 23 June 1914, that disproves any connection with events of war. As a result, the work has been chronologically reclassified, leading to its fresh assessment and interpretation - see the detailed Foreword in this new edition for further information.
The registration of this seminal work in the organ literature is in parts reminiscent of César Franck's 'Chorale in B' minor. In general terms, Franck's influence was already singled out by reviewers of the first performance.
> work's genesis and notes on performance practice
> Comprehensive Critical Commentary (Fr/Eng/Ger)
> New source material
> Many illustrations and facsimile pages
Louis Vierne (1870-1937) raised the organ symphony to its stylistic zenith. One of his pupils, Marcel Dupré, was the teacher of Thierry Escaich, the co-editor of this complete edition.
Vierne's Symphony No. 4 is one of the most important works in the organ repertoire. Until now it was thought to have originated during the three months of summer 1914.
However, the editor has discovered a letter from Vierne, dated 23 June 1914, that disproves any connection with events of war. As a result, the work has been chronologically reclassified, leading to its fresh assessment and interpretation - see the detailed Foreword in this new edition for further information.
The registration of this seminal work in the organ literature is in parts reminiscent of César Franck's 'Chorale in B' minor. In general terms, Franck's influence was already singled out by reviewers of the first performance.
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