Johann Sebastian Bach, Ferruccio Busoni
Chorale Preludes
Arrangement for Piano
Johann Sebastian Bach, Ferruccio Busoni
Chorale Preludes
Arrangement for Piano
- Compositor Johann Sebastian Bach Ferruccio Busoni
- Adaptador Marc-André Hamelin
- Editor Ullrich Scheideler Christian Schaper
- Editorial Henle Verlag
- Nº de pedido HN1293
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Descripción de la:
> First modern Urtext edition
> The appendix contains an eleventh chorale prelude - published for the first time
> Most of them can also be played by amateur pianists
Alongside the Chaconne for violin, the ten Chorale Preludes for organ are Busoni's best-known piano transcriptions of works by J.S. Bach. Unlike the Chaconne, which Busoni envisaged for concert performance, he transcribed the Chorale Preludes in 'chamber-music style'. A great deal of this organ/piano edition can also be played by advanced amateurs.
We are publishing Busoni's definitive version in the first modern Urtext edition with valuable fingering suggestions by Marc-André Hamelin. And what is more, in the appendix we are publishing an eleventh chorale prelude for the first time: Busoni's transcription of 'Aus tiefer Not'. With regard to performing its six-part setting, the composer himself spoke of an 'extreme performance limit' - but why not judge for yourself!
> The appendix contains an eleventh chorale prelude - published for the first time
> Most of them can also be played by amateur pianists
Alongside the Chaconne for violin, the ten Chorale Preludes for organ are Busoni's best-known piano transcriptions of works by J.S. Bach. Unlike the Chaconne, which Busoni envisaged for concert performance, he transcribed the Chorale Preludes in 'chamber-music style'. A great deal of this organ/piano edition can also be played by advanced amateurs.
We are publishing Busoni's definitive version in the first modern Urtext edition with valuable fingering suggestions by Marc-André Hamelin. And what is more, in the appendix we are publishing an eleventh chorale prelude for the first time: Busoni's transcription of 'Aus tiefer Not'. With regard to performing its six-part setting, the composer himself spoke of an 'extreme performance limit' - but why not judge for yourself!