In the Midst of Nature
Suite for piano solo in 6 movements
IVA incluido.,
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en stock
plazo de entrega 1-3 días laborables
Leokadiya Kashperova
In the Midst of Nature
Suite for piano solo in 6 movements
Leokadiya Kashperova
In the Midst of Nature
Suite for piano solo in 6 movements
- Compositor Leokadiya Kashperova
- Serie Kashperova Edition
-
Dificultad
- Editorial Boosey & Hawkes
- Nº de pedido BH13563
en stock
plazo de entrega 1-3 días laborables
IVA incluido.,
Más gastos de envío
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Descripción de la:
Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Mily Alexayevich Balakirev and Leopold von Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.
These new editions of the Cello Sonatas 1 & 2 have been broadcast and recorded, whilst new editions of her Symphony and hitherto unpublished Piano Concerto have recently been issued.
Kashperova's Romantic empathy with nature and childhood may be keenly observed in her chamber music and songs. The six-movement piano suite In the Midst of Nature (1910) in no exception in the way it uses evocations of nature to express nostalgia for her childhood in the peaceful and remote Russian countryside. In the Midst of Nature also resents an artfully graded progression, indicating that Kashperova probably shared this music with her many pupils: the early movements are within the range of the talented young player whilst the latter movements require the technique and interpretative maturity of a conservatoire student, the whole work being admirably suited to the professional recital.
These new editions of the Cello Sonatas 1 & 2 have been broadcast and recorded, whilst new editions of her Symphony and hitherto unpublished Piano Concerto have recently been issued.
Kashperova's Romantic empathy with nature and childhood may be keenly observed in her chamber music and songs. The six-movement piano suite In the Midst of Nature (1910) in no exception in the way it uses evocations of nature to express nostalgia for her childhood in the peaceful and remote Russian countryside. In the Midst of Nature also resents an artfully graded progression, indicating that Kashperova probably shared this music with her many pupils: the early movements are within the range of the talented young player whilst the latter movements require the technique and interpretative maturity of a conservatoire student, the whole work being admirably suited to the professional recital.