Wolfgang Amadeus Mozart
Piano Concerto No. 26 in D major K537 'Coronation'
Urtext Edition by Christoph Wolff and Christian Zacharias. Cadenzas - Christian Zacharias
Wolfgang Amadeus Mozart
Piano Concerto No. 26 in D major K537 'Coronation'
Urtext Edition by Christoph Wolff and Christian Zacharias. Cadenzas - Christian Zacharias
- Compositor Wolfgang Amadeus Mozart
- Editor Christoph Wolff Christian Zacharias
- Editorial Edition Peters
- Nº de pedido EP8826
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Descripción de la:
Mozart's Piano Concerto in D major K537, is dated 24 February 1788 in Mozart's own autograph catalogue fo works
As Mozart performed the piece on 15 October 1790 during the coronation ceremonies in Frankfurt it has been give the nickname 'Coronation Concerto' even though he also played the F major Concerto K459 on the same occasion.Mozart had already taken K537 on his tour of Dresden, Leipzig and Berlin, playing it on 14 April at the Dresden court.
In contrast to the autograph scores of all his other concertos, the solo piano part of K537 is far from complete, being little more than a sketch, particularly in the second and third movements. Considerable editorial additions are therefore unavoidable, especially in the left hand,
Mozart later added parts for trumpets and timpani to shi score, probably in connection with the Frankfurt performance of 1790.
Extract from the Preface by series editor,Christoph Wolff
As Mozart performed the piece on 15 October 1790 during the coronation ceremonies in Frankfurt it has been give the nickname 'Coronation Concerto' even though he also played the F major Concerto K459 on the same occasion.Mozart had already taken K537 on his tour of Dresden, Leipzig and Berlin, playing it on 14 April at the Dresden court.
In contrast to the autograph scores of all his other concertos, the solo piano part of K537 is far from complete, being little more than a sketch, particularly in the second and third movements. Considerable editorial additions are therefore unavoidable, especially in the left hand,
Mozart later added parts for trumpets and timpani to shi score, probably in connection with the Frankfurt performance of 1790.
Extract from the Preface by series editor,Christoph Wolff