Time Awareness for All Musicians

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Peter Erskine

Time Awareness for All Musicians

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Peter Erskine

Time Awareness for All Musicians

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Descripción de la:

  • Páginas: 76
  • Publicado en: 30.09.2005
  • Peso: 272 g
  • Categoría: Métodos
  • ISBN: 9780739038543
  • EAN: 038081265858
This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group.
This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group.
Etiquetas: Teoría del ritmo