Ad Wammes
Ad Wammes
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Die Qualität vereinfachter Bearbeitungen 'leidet' oft daran, dass Rhythmen und Tonarten verändert und Gegenstimmen sowie Harmonien weggelassen werden. Diese Arrangements von Ad Wammes zeigen, dass es...
Die Qualität vereinfachter Bearbeitungen 'leidet' oft daran, dass Rhythmen und Tonarten verändert und Gegenstimmen sowie Harmonien weggelassen werden. Diese Arrangements von Ad Wammes zeigen, dass es...
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'Fiducie', which can be translated as 'Faith', voices the vitality of Rotterdam, as witnessed in the recovered hope of the inhabitants after the bombardment of 14 May 1940. Ostinato patterns and energ...
'Fiducie', which can be translated as 'Faith', voices the vitality of Rotterdam, as witnessed in the recovered hope of the inhabitants after the bombardment of 14 May 1940. Ostinato patterns and energ...
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- disponible en 3-4 semanas
The syncopated Toccatina is influenced by pop music as well as the music of South America, while the use of repeated notes is derived from Jan Pieterszoon Sweelinck. The piece will be effective on any...
The syncopated Toccatina is influenced by pop music as well as the music of South America, while the use of repeated notes is derived from Jan Pieterszoon Sweelinck. The piece will be effective on any...
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The short pieces of medium difficulty by the Dutch composer Ad Wammes are inspired by concrete emotional encounters with artists, pupils and incidents: Tristesse - Marking Marc - Canto Coster - Solitu...
The short pieces of medium difficulty by the Dutch composer Ad Wammes are inspired by concrete emotional encounters with artists, pupils and incidents: Tristesse - Marking Marc - Canto Coster - Solitu...
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Kay's setting of this well-known text demonstrates many hallmarks of his style, including modal harmonies, imitation, and the occasional use of word painting. Offprinted from The Oxford Book of Choral...
Kay's setting of this well-known text demonstrates many hallmarks of his style, including modal harmonies, imitation, and the occasional use of word painting. Offprinted from The Oxford Book of Choral...
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