Dominik Rahmer
Sergei Rachmaninow
6 Moments musicaux op. 16
Este ciclo de seis piezas para piano fue compuesto en 1896, sólo cuatro años después de que Rachmaninov terminara sus estudios en el Conservatorio de Moscú, y ya muestra signos del maestro maduro en e...
Este ciclo de seis piezas para piano fue compuesto en 1896, sólo cuatro años después de que Rachmaninov terminara sus estudios en el Conservatorio de Moscú, y ya muestra signos del maestro maduro en e...
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The epochal piano virtuoso Liszt made numerous transcriptions for his instrument of works by other composers - Wagner's Tristan und Isolde, a key nineteenth century work, naturally numbered amongst th...
The epochal piano virtuoso Liszt made numerous transcriptions for his instrument of works by other composers - Wagner's Tristan und Isolde, a key nineteenth century work, naturally numbered amongst th...
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Similar to Schumann's 'Concert Piece for Four Horns' op. 86 (HN 1138), Saint-Saëns' 'Morceau de Concert' was also written with the idea of exhausting the technical possibilities of a new valve horn co...
Similar to Schumann's 'Concert Piece for Four Horns' op. 86 (HN 1138), Saint-Saëns' 'Morceau de Concert' was also written with the idea of exhausting the technical possibilities of a new valve horn co...
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Paul Dukas
Villanelle for Horn and Piano
Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated in 16th centu...
Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated in 16th centu...
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> For horn in F > First Urtext edition > Glazunov's autograph consulted for the first time in St. Petersburg > Highly Romantic work > Effective recital piece, even for advanced pupils > Fingering: Kla...
> For horn in F > First Urtext edition > Glazunov's autograph consulted for the first time in St. Petersburg > Highly Romantic work > Effective recital piece, even for advanced pupils > Fingering: Kla...
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Sergei Rachmaninow
Études-Tableaux
With his Études-Tableaux, Rachmaninoff continued along the path that Chopin and Liszt had set with their concert etudes: the most demanding technical tasks are presented in the form of expressive char...
With his Études-Tableaux, Rachmaninoff continued along the path that Chopin and Liszt had set with their concert etudes: the most demanding technical tasks are presented in the form of expressive char...
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Sergei Rachmaninow
Concierto para piano núm. 3 re menor op. 30
Es cuestión de gustos personales si el segundo o el tercer concierto para piano de Rachmaninoff es el mejor. Pero no cabe duda de que "Rach 3", con su abundancia de ideas melódicas, se cuenta hoy entr...
Es cuestión de gustos personales si el segundo o el tercer concierto para piano de Rachmaninoff es el mejor. Pero no cabe duda de que "Rach 3", con su abundancia de ideas melódicas, se cuenta hoy entr...
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Alexander Skrjabin
Romance for Horn and Piano
Scriabin is mainly known for his mystic-visionary piano works today; but his Romance for horn, which he composed at a young age, is also a charming chamber music work. The technically not very demandi...
Scriabin is mainly known for his mystic-visionary piano works today; but his Romance for horn, which he composed at a young age, is also a charming chamber music work. The technically not very demandi...
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These two Aequali for three trombones are really works of Bruckner's youth, for he was only 22 years old when he composed them for the funeral of his great-aunt in January 1847. He was at that time a...
These two Aequali for three trombones are really works of Bruckner's youth, for he was only 22 years old when he composed them for the funeral of his great-aunt in January 1847. He was at that time a...
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Dont, Kreutzer, Rode: three of the most prominent violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century, Rodolphe Kreutzer and Pierre Rode...
Dont, Kreutzer, Rode: three of the most prominent violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century, Rodolphe Kreutzer and Pierre Rode...
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