Ernst Hettrich
The Novelettes arose at roughly the same time as the Kinderszenen and share the same largely untroubled mood. Writing to Clara Wieck, Schumann could exclaim 'I've written such a frightful amount of mu...
The Novelettes arose at roughly the same time as the Kinderszenen and share the same largely untroubled mood. Writing to Clara Wieck, Schumann could exclaim 'I've written such a frightful amount of mu...
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Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather 'pulled about, torn asunder, beaten black and blu...
Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather 'pulled about, torn asunder, beaten black and blu...
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Robert Schumann
Fantasy Pieces op. 12
With humor, 'slow and tender, 'extremely brisk': the very expression marks of the op. 12 'Fantasy Pieces' illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition...
With humor, 'slow and tender, 'extremely brisk': the very expression marks of the op. 12 'Fantasy Pieces' illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition...
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When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his 'Lieder ohne Worte', he effusively thanked him for this gift. However, th...
When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his 'Lieder ohne Worte', he effusively thanked him for this gift. However, th...
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disponible en 3-6 días laborables
disponible en 3-6 días laborables
I am endlessly looking forward to the second sonata', thus Clara wrote to Robert in 1838, 'Your whole being is so clearly expressed in it.' Nonetheless in the same letter she encouraged him to revise...
I am endlessly looking forward to the second sonata', thus Clara wrote to Robert in 1838, 'Your whole being is so clearly expressed in it.' Nonetheless in the same letter she encouraged him to revise...
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Sonatinas for Piano Vol. III
Revised edition without fingering (paperbound)
Through the amiable genre of the 'sonatina', generations of piano pupils have slowly and cautiously approached its 'big sister', the sonata. With the aid of our three-volume selection of sonatinas fro...
Through the amiable genre of the 'sonatina', generations of piano pupils have slowly and cautiously approached its 'big sister', the sonata. With the aid of our three-volume selection of sonatinas fro...
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Wolfgang Amadeus Mozart
Piano Sonata in C major K. 330
Whoever has experienced a major pianist performing this sonata live (the slow 'Andante cantabile' middle movement is occasionally played as an encore) knows the grandeur and effect of this C major wor...
Whoever has experienced a major pianist performing this sonata live (the slow 'Andante cantabile' middle movement is occasionally played as an encore) knows the grandeur and effect of this C major wor...
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Robert Schumann
Coloured Leaves, op. 99
In Schumann's middle years there was a longer period in which he favoured larger groups of instruments. Although he composed a few single pieces for piano, they remained unpublished at first. It was o...
In Schumann's middle years there was a longer period in which he favoured larger groups of instruments. Although he composed a few single pieces for piano, they remained unpublished at first. It was o...
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Robert Schumann
3 Romances Op. 94
'... as your bride, you must indeed dedicate something further to me, and I know of nothing more tender than these 3 Romances, in particular the middle one, which is the most beautiful love duet.' It...
'... as your bride, you must indeed dedicate something further to me, and I know of nothing more tender than these 3 Romances, in particular the middle one, which is the most beautiful love duet.' It...
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Robert Schumann
5 Pieces in Folk Style op. 102
for cello and Piano (with marked and unmarked violoncello parts)
Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
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