Gerald Barry
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disponible en 3-4 semanas
disponible en 3-4 semanas
This song is a poignant tribute to Barry's teacher, Stockhausen. It was written for the 2008 Aldeburgh Festival programme book and is a setting of an enigmatic letter about friendship, written by Beet...
This song is a poignant tribute to Barry's teacher, Stockhausen. It was written for the 2008 Aldeburgh Festival programme book and is a setting of an enigmatic letter about friendship, written by Beet...
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Le Vieux Sourd (The Old Deaf One) was Debussy's nickname for Beethoven. The piece is a setting of Auld Lang Syne which Beethoven also arranged.Gerald Barry (2012)
Le Vieux Sourd (The Old Deaf One) was Debussy's nickname for Beethoven. The piece is a setting of Auld Lang Syne which Beethoven also arranged.Gerald Barry (2012)
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Triorchic Blues began as a study for Barry's opera The Triumph of Beauty and Deceit, but the developed into this vivacious and rhythmically driven piece for solo piano, which explores the extreme regi...
Triorchic Blues began as a study for Barry's opera The Triumph of Beauty and Deceit, but the developed into this vivacious and rhythmically driven piece for solo piano, which explores the extreme regi...
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Für 2 Klarinetten, Marimbaphon, Klavier, Viola und Violoncello.
Für 2 Klarinetten, Marimbaphon, Klavier, Viola und Violoncello.
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Gerald Barry
Sextet
for Clarinet Doubling Bass Clarinet, Trumpet, Two Marimbas, Piano and Double Bass
It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)
It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)
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Gerald Barry
Sextet
for Clarinet Doubling Bass Clarinet, Trumpet, Two Marimbas, Piano and Double Bass
It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)
It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)
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