Mark Keane
This joyful motet begins with a compelling homophonic opening, before exploring imitative writing between all voices. A contrasting motif of descending scales is introduced halfway through to reflect...
This joyful motet begins with a compelling homophonic opening, before exploring imitative writing between all voices. A contrasting motif of descending scales is introduced halfway through to reflect...
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The piece is suitable for regular worship services but most often at special praise services, choral liturgies, and musical feasts, and for recognizing the work of church musicians.
The piece is suitable for regular worship services but most often at special praise services, choral liturgies, and musical feasts, and for recognizing the work of church musicians.
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Jackson's Cantus Maris Baltici ('Songs of the Baltic Sea') is a rich and imaginative setting of poems from each of the three Baltic countries. It displays innovative choral textures and is a rewarding...
Jackson's Cantus Maris Baltici ('Songs of the Baltic Sea') is a rich and imaginative setting of poems from each of the three Baltic countries. It displays innovative choral textures and is a rewarding...
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A spirited carol, colourful and highly original.
A spirited carol, colourful and highly original.
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Pulsating rhythms underpin this energetic arrangement of a traditional spiritual. The voice parts progress from a forthright rendition of the famous tune at the beginning to bold and exciting harmonie...
Pulsating rhythms underpin this energetic arrangement of a traditional spiritual. The voice parts progress from a forthright rendition of the famous tune at the beginning to bold and exciting harmonie...
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Sheppard's Magnificat for four voices is found only in the Gyffard partbooks. Its structure uses the alternatim technique, rotating choral sections with the Tone I chant. The chant provided here is th...
Sheppard's Magnificat for four voices is found only in the Gyffard partbooks. Its structure uses the alternatim technique, rotating choral sections with the Tone I chant. The chant provided here is th...
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This expansive piece requiring 24 singers sets an anonymous 16th-century text of supplication to St Cecilia. From the cascading imitation of its opening to the monolithic triads of its close, it remai...
This expansive piece requiring 24 singers sets an anonymous 16th-century text of supplication to St Cecilia. From the cascading imitation of its opening to the monolithic triads of its close, it remai...
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This setting of Psalm 95, written for Truro Cathedral Choir, was shortlisted for a BASCA British Composer Award 2013. Evocative and subtle in its use of colour and texture, the piece has independent o...
This setting of Psalm 95, written for Truro Cathedral Choir, was shortlisted for a BASCA British Composer Award 2013. Evocative and subtle in its use of colour and texture, the piece has independent o...
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A single movement for bassoon exploring the potential of an instrument much neglected in solo music.
A single movement for bassoon exploring the potential of an instrument much neglected in solo music.
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An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the...
An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the...
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