Rebecca Clarke
For unaccompanied five-part women's chorus (SSSAA). Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the E...
For unaccompanied five-part women's chorus (SSSAA). Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the E...
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disponible en 3-4 semanas
disponible en 3-4 semanas
This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.
This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.
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Rebecca Clarke
He That Dwelleth In The Secret Place of The Most High
A Setting of Psalm 91 for SSAATTBB choir unaccompanied with SAATB soloists
He that dwelleth evokes Holst and Vaughan Williams in their more visionary modes. This is especially true of the opening and closing passages with their gently bitonal effect that surrounds the highly...
He that dwelleth evokes Holst and Vaughan Williams in their more visionary modes. This is especially true of the opening and closing passages with their gently bitonal effect that surrounds the highly...
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Rebecca Clarke
A Lover's Dirge
for unaccompanied SATB to words by from 'Twelfth Night' by William Shakespeare
Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...
Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...
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This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...
This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...
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Rebecca Clarke
There Is No Rose
A Medieval English Carol For Unaccompanied Lower Voices (Solo Baritone, ATBarB Chorus)
A medieval English carol for solo baritone and unaccompanied ATBarB. The setting is full of gentle hemiola and canonic effects, and makes much use of parallel sixths and thirds.
A medieval English carol for solo baritone and unaccompanied ATBarB. The setting is full of gentle hemiola and canonic effects, and makes much use of parallel sixths and thirds.
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Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...
Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...
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Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...
Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...
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Rebecca Clarke
Come, oh Come, My Life's Delight
For unaccompanied SATB to words by Thomas Campion. This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effect...
For unaccompanied SATB to words by Thomas Campion. This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effect...
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disponible en 3-4 semanas
disponible en 3-4 semanas