Ulrich Leisinger
Felix Mendelssohn Bartholdy
Rondo capriccioso op. 14
Edited from the sources by Ulrich Leisinger. Fingerings and Notes on Interpretation by Peter Roggenkamp.
On 13 June 1830 Felix Mendelssohn Bartholdy finished his Rondo capriccioso. After the Leipzig publishers Hofmeister and Breitkopf & Härtel had refused to publish the work - probably because of the see...
On 13 June 1830 Felix Mendelssohn Bartholdy finished his Rondo capriccioso. After the Leipzig publishers Hofmeister and Breitkopf & Härtel had refused to publish the work - probably because of the see...
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Franz Schubert's Impromptus Op. post 142 (D 935) are among his most frequently played piano works and have found a permanent place in music lessons and in the concert repertoire. The Wiener Urtext Edi...
Franz Schubert's Impromptus Op. post 142 (D 935) are among his most frequently played piano works and have found a permanent place in music lessons and in the concert repertoire. The Wiener Urtext Edi...
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Carl Philipp Emanuel Bach
Violin Concerto A Minor Wq 170
Pflichtstück beim Internationalen Bach-Wettbewerb Leipzig 2004 Carl Philipp Emanuel Bach war um 1750 einer der ersten deutschen Komponisten, der überhaupt Violoncellokonzerte schrieb. Umso respektable...
Pflichtstück beim Internationalen Bach-Wettbewerb Leipzig 2004 Carl Philipp Emanuel Bach war um 1750 einer der ersten deutschen Komponisten, der überhaupt Violoncellokonzerte schrieb. Umso respektable...
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The so-called 'French overture' BWV 831 along with the 'Italian concerto ' F major BWV 971 form the second part of the Clavier-Übung by Johann Sebastian Bach. To make the difference between the two st...
The so-called 'French overture' BWV 831 along with the 'Italian concerto ' F major BWV 971 form the second part of the Clavier-Übung by Johann Sebastian Bach. To make the difference between the two st...
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Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo from the sonata and its emancipation as an ind...
Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo from the sonata and its emancipation as an ind...
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Johann Sebastian Bach's Six Suites for violoncello solo represent an equal counterpart to his six sonatas and partitas for solo violin - in the 18th century they were even played on the piano. They ha...
Johann Sebastian Bach's Six Suites for violoncello solo represent an equal counterpart to his six sonatas and partitas for solo violin - in the 18th century they were even played on the piano. They ha...
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The 'Little Organ Book', perhaps the most celebrated collection ever of chorale preludes, owes its title to J.S. Bach's application for the post of Cantor at St Thomas' Church in Leipzig. Lacking an a...
The 'Little Organ Book', perhaps the most celebrated collection ever of chorale preludes, owes its title to J.S. Bach's application for the post of Cantor at St Thomas' Church in Leipzig. Lacking an a...
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Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
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disponible en 2-4 días laborables
disponible en 2-4 días laborables
Von den drei Oratorien, die Carl Philipp Emanuel Bach als Musikdirektor in Hamburg komponiert hat, ist Die Auferstehung und Himmelfahrt Jesu mit seinen prächtigen Trompeten- und Paukenklängen und dank...
Von den drei Oratorien, die Carl Philipp Emanuel Bach als Musikdirektor in Hamburg komponiert hat, ist Die Auferstehung und Himmelfahrt Jesu mit seinen prächtigen Trompeten- und Paukenklängen und dank...
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Johann Sebastian Bach
Magnificat in D major BWV 243
Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
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