Klaviertrio Nr. I e-Moll
for Violin, Violoncello and Piano
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plazo de entrega 1-3 días laborables
Emilie Mayer
Klaviertrio Nr. I e-Moll
for Violin, Violoncello and Piano
Emilie Mayer
Klaviertrio Nr. I e-Moll
for Violin, Violoncello and Piano
- Compositor Emilie Mayer
-
Dificultad
- Editorial Furore Verlag
- Nº de pedido FUR10184
en stock
plazo de entrega 1-3 días laborables
IVA incluido.,
Más gastos de envío
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Descripción de la:
Emilie Mayer's works cover a remarkable number of these 'unfeminine' genres - 8 symphonies, 7 concert overtures (including the successful overture to Faust op. 46), a piano concerto, a 'Rondo militaire' and a broad oeuvre
of string and piano chamber music. What is characteristic of the chronological and stylistic classification of Emilie Mayer's works is her occupation with one or only a few genres over a longer
period. Initially she wrote mainly Lieder with a singing voice - very much in keeping with her teacher Loewe. The 1st and 2nd symphonies also date from her early time in Stettin in the 1840s. The Symphony no. 3 in B minor, written in 1850, reveals an interest in Beethoven's tonal language which is also discernible in the string quartets. The eight string quartets contained in the bequest were written before 1858. Mayer's compositional leanings towards Beethoven were motivated and endorsed by her teacher Adolf Bernhard Marx, who still exerted considerable influence over her
during this period.
of string and piano chamber music. What is characteristic of the chronological and stylistic classification of Emilie Mayer's works is her occupation with one or only a few genres over a longer
period. Initially she wrote mainly Lieder with a singing voice - very much in keeping with her teacher Loewe. The 1st and 2nd symphonies also date from her early time in Stettin in the 1840s. The Symphony no. 3 in B minor, written in 1850, reveals an interest in Beethoven's tonal language which is also discernible in the string quartets. The eight string quartets contained in the bequest were written before 1858. Mayer's compositional leanings towards Beethoven were motivated and endorsed by her teacher Adolf Bernhard Marx, who still exerted considerable influence over her
during this period.