Partituras de Howard Skempton para conjunto
Howard Skempton
Birthday Bundle
Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...
Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...
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disponible en 3-4 semanas
disponible en 3-4 semanas
Howard Skempton
Field Notes
Field Notes is a compact, one-movement piece of chamber music scored for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally betwee...
Field Notes is a compact, one-movement piece of chamber music scored for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally betwee...
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Sharing its scoring with Ravel's Introduction and Allegro, this work makes full use of the wealth of instrumental combinations available within the septet. The haunting yet quirky theme around which t...
Sharing its scoring with Ravel's Introduction and Allegro, this work makes full use of the wealth of instrumental combinations available within the septet. The haunting yet quirky theme around which t...
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Howard Skempton
The Moon is Flashing
The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble, broadening its reach to smaller ensembles.
The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble, broadening its reach to smaller ensembles.
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Howard Skempton
The Moon is Flashing
The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble.This set of parts contains parts for clarinet, violin, cello, and piano. T...
The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble.This set of parts contains parts for clarinet, violin, cello, and piano. T...
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Garland demonstrates the composer's typically thoughtful approach to form and melodic material, the title of this work reflecting the circularity of both.
Garland demonstrates the composer's typically thoughtful approach to form and melodic material, the title of this work reflecting the circularity of both.
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The opening movement of this five-movement work features the oboe, being a setting of a solo piece written by the composer in memory of Barbara Hepworth. The second is a lyrical canon for oboe, clarin...
The opening movement of this five-movement work features the oboe, being a setting of a solo piece written by the composer in memory of Barbara Hepworth. The second is a lyrical canon for oboe, clarin...
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Howard Skempton
Random Girl
Random Girl is a short, lyrical piece highlighting the melodic aspect of the vibraphone which engages in sinuous dialogue with the oboe.
Random Girl is a short, lyrical piece highlighting the melodic aspect of the vibraphone which engages in sinuous dialogue with the oboe.
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A chromatic but bare setting of a poem by Mary Elizabeth Coleridge, a descendant of Samuel Taylor Coleridge. Its sparse texture reflects the eerie, haunting atmosphere created by the evocative imagery...
A chromatic but bare setting of a poem by Mary Elizabeth Coleridge, a descendant of Samuel Taylor Coleridge. Its sparse texture reflects the eerie, haunting atmosphere created by the evocative imagery...
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Howard Skempton
Gloss
Gloss could be considered a companion piece to Random Girl (also for oboe and vibraphone), although it is rhythmically more formal and more restrained melodically.
Gloss could be considered a companion piece to Random Girl (also for oboe and vibraphone), although it is rhythmically more formal and more restrained melodically.
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