Partituras para música de cámara de Robert Schumann
Robert Schumann
String Quartets op. 41
Although Schumann's first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in...
Although Schumann's first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in...
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Robert Schumann
Piano Quartet in Eb major op. 47
'In the evening we played Robert's E-flat major Quartet for the first time ... and I was once again truly delighted at this beautiful and so youthful work', enthused Clara Schumann in 1842. In prepara...
'In the evening we played Robert's E-flat major Quartet for the first time ... and I was once again truly delighted at this beautiful and so youthful work', enthused Clara Schumann in 1842. In prepara...
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Robert Schumann
Piano Quintet in Eb major op. 44
The composition cost him his sleep. In October 1842, when Schumann had finished his piano quintet in a short period of time, he was physically and emotionally drained. The work in no way reflects this...
The composition cost him his sleep. In October 1842, when Schumann had finished his piano quintet in a short period of time, he was physically and emotionally drained. The work in no way reflects this...
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The Fantasy Pieces op. 88 are Schumann's first contribution to the genre of the piano trio and date from his very prolific 'chamber music year' 1842. However, Schumann needed an unusually long time to...
The Fantasy Pieces op. 88 are Schumann's first contribution to the genre of the piano trio and date from his very prolific 'chamber music year' 1842. However, Schumann needed an unusually long time to...
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No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, originally entitled 'Romances', was merely suppose...
No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, originally entitled 'Romances', was merely suppose...
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Robert Schumann, Ferruccio Busoni
Abendlied op. 85 No. 12
Schumanns Abendlied für Klavier zu 3 (!) Händen (Nr. 12 aus den 'Vierhändigen Klavierstücken' op. 85) erfreute sich im 19. Jahrhundert einer ungeheuer großen Beliebtheit, wie die stattliche Zahl der B...
Schumanns Abendlied für Klavier zu 3 (!) Händen (Nr. 12 aus den 'Vierhändigen Klavierstücken' op. 85) erfreute sich im 19. Jahrhundert einer ungeheuer großen Beliebtheit, wie die stattliche Zahl der B...
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disponible en 2-5 días laborables
disponible en 2-5 días laborables
The "Three Romances" by Robert Schumann, composed in 1849 and set for oboe and piano, are undoubtedly among the gems of the oboe literature. Hans-Peter Frank has now presented the result of his consid...
The "Three Romances" by Robert Schumann, composed in 1849 and set for oboe and piano, are undoubtedly among the gems of the oboe literature. Hans-Peter Frank has now presented the result of his consid...
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Instrumentation: Theodor Kirchner.
Instrumentation: Theodor Kirchner.
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'Andante und Variationen op. 46 für 2 Klaviere, 2 Celli und Horn': Eine derart ausgefallene Besetzung gibt es nicht nur bei Schumann nur einmal. Kein Wunder, dass das Stück erst einmal gar nicht gedru...
'Andante und Variationen op. 46 für 2 Klaviere, 2 Celli und Horn': Eine derart ausgefallene Besetzung gibt es nicht nur bei Schumann nur einmal. Kein Wunder, dass das Stück erst einmal gar nicht gedru...
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