Jörg Widmann
'Should muses be silent while the guns speak?' asks Jörg Widmann, who was only 20 years old when composing this piece, with his Trio for Clarinet in B flat, violin and piano, a musical essay on three...
'Should muses be silent while the guns speak?' asks Jörg Widmann, who was only 20 years old when composing this piece, with his Trio for Clarinet in B flat, violin and piano, a musical essay on three...
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As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like 'Once upon a time ...' and '... they all lived happily ever after'....
As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like 'Once upon a time ...' and '... they all lived happily ever after'....
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en stock
plazo de entrega 1-3 días laborables - También disponible para descarga.
This is one of the early works by which the clarinettest Jörg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instrument...
This is one of the early works by which the clarinettest Jörg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instrument...
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en stock
plazo de entrega 1-3 días laborables - También disponible para descarga.
Jörg Widmann paraphrases Mendelssohn's famous wedding march from the Midsummer Night's Dream solo in this piece for violin solo. The paraphrase was actually written for a wedding that took place in Ro...
Jörg Widmann paraphrases Mendelssohn's famous wedding march from the Midsummer Night's Dream solo in this piece for violin solo. The paraphrase was actually written for a wedding that took place in Ro...
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Over the years, I have periodically composed a number of (unpublished) lieder, but have only now created my first 'official' lieder cycle for Christian Gerhaher and his accompanist Gerold Huber. Unfam...
Over the years, I have periodically composed a number of (unpublished) lieder, but have only now created my first 'official' lieder cycle for Christian Gerhaher and his accompanist Gerold Huber. Unfam...
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Jörg Widmann
11 Humoresques
Referring to Robert Schumann, the title sets the general mood of these character pieces which alternate between Romantic and contemporary tonal language. This is how the composer stresses it in his pr...
Referring to Robert Schumann, the title sets the general mood of these character pieces which alternate between Romantic and contemporary tonal language. This is how the composer stresses it in his pr...
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180 Beats per minute' entstand 1993, kurz nach meiner Schulzeit. Die damals sehr angesagten 'Techno-Nights' inspirierten mich zu diesem Stück. Ein rhythmischer Drive und ein permanenter Wechsel des Pu...
180 Beats per minute' entstand 1993, kurz nach meiner Schulzeit. Die damals sehr angesagten 'Techno-Nights' inspirierten mich zu diesem Stück. Ein rhythmischer Drive und ein permanenter Wechsel des Pu...
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Tras una primera minipieza para esta instrumentación, Bunte Blätter (Hojas de colores) es mi primera pieza real para dos pianos. Se ha convertido en una colección de piezas y formas muy diversas y pol...
Tras una primera minipieza para esta instrumentación, Bunte Blätter (Hojas de colores) es mi primera pieza real para dos pianos. Se ha convertido en una colección de piezas y formas muy diversas y pol...
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Jörg Widmann composed this short piece in 2015 for the 90th birthday of Pierre Boulez. In this piece, the cello is used in an anything but classical manner: The hands hit the fingerboard, the fingers...
Jörg Widmann composed this short piece in 2015 for the 90th birthday of Pierre Boulez. In this piece, the cello is used in an anything but classical manner: The hands hit the fingerboard, the fingers...
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