Jörg Widmann
My dark and shadowy piano Intermezzi are followed by these Zirkustänze [circus dances]. They are naturally - on a superficial level - simpler, more cheerful, brighter and also more garish, drastic and...
My dark and shadowy piano Intermezzi are followed by these Zirkustänze [circus dances]. They are naturally - on a superficial level - simpler, more cheerful, brighter and also more garish, drastic and...
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My dark and shadowy piano Intermezzi are followed by these Zirkustänze [circus dances]. They are naturally - on a superficial level - simpler, more cheerful, brighter and also more garish, drastic and...
My dark and shadowy piano Intermezzi are followed by these Zirkustänze [circus dances]. They are naturally - on a superficial level - simpler, more cheerful, brighter and also more garish, drastic and...
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'Fleurs du mal' ostensibly fits into the traditional pattern of the three-movement piano sonata and conforms to rudimentary sonata form. Yet the formal restrictions - including the predominance of the...
'Fleurs du mal' ostensibly fits into the traditional pattern of the three-movement piano sonata and conforms to rudimentary sonata form. Yet the formal restrictions - including the predominance of the...
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Jörg Widmann
Reverberation Study
This piece was composed by Jörg Widmann for the Italian pianist Irene Russo in 2003. Consisting only of sharp pulse patterns and their lingering sound, it explores the tonal possibilities of the whole...
This piece was composed by Jörg Widmann for the Italian pianist Irene Russo in 2003. Consisting only of sharp pulse patterns and their lingering sound, it explores the tonal possibilities of the whole...
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Jörg Widmann
Study in Light III
Lichtstudie III ist eine Studie zur Variabilität pianistischer Clusterbildungen. Inspiriert von den Raum-Licht-Installationen James Turrells wird eine Statik von Klangflächen erprobt, ein introspektiv...
Lichtstudie III ist eine Studie zur Variabilität pianistischer Clusterbildungen. Inspiriert von den Raum-Licht-Installationen James Turrells wird eine Statik von Klangflächen erprobt, ein introspektiv...
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This is one of the early works by which the clarinettest Jörg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instrument...
This is one of the early works by which the clarinettest Jörg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instrument...
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Many pieces with a classical cycle of movements lead to an examination of baroque counterpoint in the form of a fugue. Widmann's fifth string quartet, which closes his first cycle in this genre like a...
Many pieces with a classical cycle of movements lead to an examination of baroque counterpoint in the form of a fugue. Widmann's fifth string quartet, which closes his first cycle in this genre like a...
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Widmann's Quintet is a deliberate tribute to Mozart's work for the same instrumentation (KV 452), both of which can be easily combined. In contrast to Mozart's classical forms of movements, Widmann co...
Widmann's Quintet is a deliberate tribute to Mozart's work for the same instrumentation (KV 452), both of which can be easily combined. In contrast to Mozart's classical forms of movements, Widmann co...
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Der 'normale' Tastatur-Klavierklang bleibt in diesem Stück die Ausnahme, in der Singstimme wird auf Text weitgehend verzichtet und die Klarinettenstimme ist übersät mit Luft- und Mehrklängen.
Der 'normale' Tastatur-Klavierklang bleibt in diesem Stück die Ausnahme, in der Singstimme wird auf Text weitgehend verzichtet und die Klarinettenstimme ist übersät mit Luft- und Mehrklängen.
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